It brings great difficulty to the subsequent processing, and also causes the high cost of curtain wall processing. In order to ensure safety, there are high requirements on the precision of steel consumption, displacement control and synchronization during the construction process.Īt the beginning of facade design, the Show Theater shape was defined as a hyperboloid of negative Gaussian curvature with different curvatures everywhere. During construction, the complexity of the components and the requirements for installation accuracy are very high, the installation and positioning of a large number of special-shaped glasses are difficult, and the deformation of complex steel structures is difficult to control.
This structural form determines that most of the glass are hyperboloid, and require customized processing. In order to realize the design concept, the Show Theatre adopts a spirally ascending curve form covered with a full glass curtain wall to express the natural texture of the conch. The curvilinear form language implies multi-level metaphors. In terms of locality, environmental perception and the spirit of the times, it is demonstrated through architectural performance functions with customization, material shaping systems, and orderly, complex and elegant spatial organization. "The heart is on the ground and natural, responding to the next era", the Show Theatre takes it as the core aesthetic principle and starting point of inspiration. They look the same,but with some changes.One is quiet,and one is lively,which adds a lot of vitality. The proposal concept comes from a conch-one of the oldest marine creature.Combined with the unique marine culture of Qingdao,the Show Theater creates an abstract and dynamic shape with vertical conch texture.Standing by the sea,the Show Theater and the Grand Theater in a beautiful contrast.
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